Wednesday
Nov102010
NICHOLAS MONSOUR
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Nicholas Monsour is a filmmaker, theater-maker, writer, musician and artist born and raised in Los Angeles.
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SCHEMATA
- (De)Urbanization (13)
- Architecture (7)
- Art (26)
- Black Magic (1)
- Colonialism (14)
- Crystallography (8)
- Cultural Ecology (22)
- Design (15)
- Ephemera (17)
- Film and Video (35)
- Folding (3)
- Humorousness (2)
- Iconography (6)
- Inclusive Theory (13)
- Indigenous Culture (9)
- Industrial Media (12)
- Literature (10)
- Los Angeles (4)
- Mass Culture (8)
- Media (6)
- Music (13)
- Natural Philosophy (26)
- Optics (12)
- Performance (3)
- Philology (6)
- Playlists (7)
- Protective Membranes (8)
- State Terrorism (12)
- Subterranea (2)
- Transparent Anatomies (4)
- Updates (9)
PLAYLIST 07: SUMMER
JOURNALS / MAGAZINES / MISC
SEARCH
INDEX
- Dark Current
- Homemade solar eclipse viewer
- Reassemblage: Trinh T. Minh-ha (1983)
- The Flattering Illusion
- Cartographies of the Present
- Austin Osman Spare
- The Language of Folding
- Artificial Hearts
- Simon Schubert
- The Discarnate Condition
- NEW DESIGN PROJECT: Cinema Audiences
- THE AESTHETICS OF WIRE FORMING
- Vasily Vereschagin
- Tropic of Chaos
- Automaton Aviary
- BHUTANESE PHONOGRAPHIC STAMPS
- Angela Carter - BBC Radio 3 Interview - 1991
- A Moment In The Sun
- A Few Notes About Hail Mary
- PLAYLIST 07: SUMMER
- Steady On Your Aim With The Petrol Bomb
- The Twitter Fiction of Noel Fielding
- Progress and Resistance in Central India, Part 3
- NEW DESIGN PROJECT: The Ghost Trade Poster
- NEW DESIGN PROJECT: Filmmobile 2011 Poster
- Oritsunagumono
- PLAYLIST 06: SPRING
- Worldprocessor
- Aesthetics of Microfluidics, Part 2
- Carly Waito
- Inspirace (1948)
- NEW DESIGN PROJECT: THE SOUND WE SEE
- Caledonia Dreamin'
- Leslie Monsour: Laurel Canyon, 2010
- The Shadowgraph
- BEST MOVIES OF THE YEAR
- PLAYLIST 05: WINTER
- The History of Keys
- Crystals and The American Military
- General Electric: Extremely Bad Liars
- A bit of Kantor, 20 years on
- DROP THE I-WORD
- THE FREE MARKET
- Dia de los Muertos, Los Angeles, 2010
- Medical Choreography, part 2
- I often have dreams like this
- Noam Chomsky: The Unipolar Moment and the Culture of Imperialism
- PLAYLIST 04: AUTUMN
- TOOLS FOR URBAN NATURALISTS, PART 1
- ACCIDENTALLY SPRAYED
- The Female Jesus
- IAMPETH
- Unseen Reliquaries
- Medical Choreography, part 1
- The Ishigara Color Test
- Le roman de renard
- Wesley Crusher: Fashion Icon
- 1911 - 2010
- The Impossibilities of Environmental Justice
- PLAYLIST 03: SUMMER
- The Horse
- Uncle Boonmee Who Can Recall His Past Lives
- LETTERHEADS
- NEW VIDEO POSTED: YX
- A Walk Through H
- Godard's "Socialisme" Trailer(s)
- Sonnet en -yx by Stéphane Mallarmé
- Work In Progress: yx
- Les animaux n'existent pas
- Beckoning the post-apocalypse
- Olafur Eliasson
- Dario Robleto
- VOICEsVOICEs: Tape Noon
- A Primer on Symbiogenesis
- L'Ortolan
- De Artificiali Perspectiva
- The Light Fantastic
- Chantal Akerman: Moving Through Time and Space
- The Seed Cathedral
- Progress and Resistance in Central India, Part 2
- Progress and Resistance in Central India
- Demystification Cinema
- Bon anniversaire, Stefan Wul
- Playlist 02: Spring
- Nietzsche's Typewriter
- Playlist 01: Winter
- Uncomfortable Hyperreality
- The Photonic Beetle
- The Museum of Nature
- Acconci Studio
- A Primer on American Imperialism
- Blue & Green
- Nuclear Cavalry
- Suddenly You Have a Sphere
- Aesthetics of Microfluidics, Part 1
- Early Crystallographic Models
- Two Large Crows
- Thirdworld
- Kryžių Kalnas
- Wieliczka Salt Mine
- Cueva de los Cristales de Naica
- Letters from Fontainhas
- Izenzaren
- Yusuf Üçlemesi (Yusuf's Trilogy)
- Fear in a Handful of Dust
- Praising with Faint Damnation: the Critical Response to "Inglourious Basterds"
- Decorporative Comedy?
- Santo Niño de las Suertes
- Birch Bark Biting
- Modern Manners and Social Forms
- Mirror Neurons
- 钉子户 (Nail House)
- Let the Media Die
- "The Headless Woman" by Lucretia Martel
- The 300 Best Films of All Time
- Russian Candy Wrappers
- WYGIWYG
Wednesday, November 10, 2010 at 1:12PM
Copyright & copy; 2010, Nicholas Monsour. All rights reserved.
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