| Nicholas Monsour | ![]() |
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| biography | ||
| Nicholas Monsour is a filmmaker, theater maker, writer, | ||
musician and
artist currently living in Chicago, Illinois. He has created performances,
video work, music and art pieces which have been exhibited in multiple
cities in the United States and abroad. He is a co-founder of Weather
Talking Theater Company, an active member of several organizations including
the Women’s League for Peace and Freedom and the National Anti-Vivisection
Society, and is the founder and director of the Center for Decorporative
Research. |
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| Nicholas Monsour was born in Los Angeles in 1980. During high-school at Crossroads School for the | ||
Arts and Sciences
he studied art and music, and played bass in the band The Cairo Gang.
After high school he studied set design at Otis Art School, and then
worked as a production assistant on feature films including Man
On The Moon, directed by Milos Foreman. In 1999 he volunteered
at Dakshinayan, an environmental and social justice non-profit organization
in New Delhi, through which he worked on a watershed
develop-ment program in a tribal village
in Madhya Praddesh for three months. |
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| After returning from India, Nicholas Monsour studied installation and contemporary art theory at Santa | ||
Monica College
for one year before applying to the School of the Art Institute of Chicago,
where he was accepted and awarded the Presidential Scholarship. In the
summer of 2000 he had his first gallery exhibition with Becca Mann,
entitled New Sacred Instruments at the Upstairs at the Market
Gallery in Los Angeles.. |
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| In 2001 Nicholas Monsour interned at the Curious Theater Branch during the production of Round and | ||
Round,
written by Jenny Magnus and directed by Beau O’Reilly, and assisted
in the preparation of the Rhinoceros Theater Festival. From 2001 to
2003 he played bass in the band The Planck Length. |
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| After two years at the Art Institute, Nicholas Monsour took two years off from school to work at the Fund | ||
for Public
Interest Research, where he trained canvassers in fund-raising and did
campaign work for Greenpeace. Also during this time, he worked on several
performances with Brian Torrey Scott as a composer, performer and artistic
director, In 2004, he co-founded the Weather talking Theater Company
with Brian Torrey Scott, Sam Wagster, Donovan Sherman, Jeff Harms and
Tiffany Bullard, which created and premiered the performance Discarded
Landscape at the 2005 Performing Arts Chicago PAC/edge festival.
He also collaboratively wrote, directed and performed a segment of the
Neo-Futurists performance Alice with Jeff Harms and Brian Torrey
Scott in 2005. In the summer of 2005, his video piece The Machine Age
and his internet project Digital Bricolage were official selections
at the Version Festival in Chicago. |
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| Having returned to the Art Institute to complete his Bachelors in Fine Arts in 2006, Nicholas Monsour | ||
has recently
co-created the performance Cook County Clare which was performed
at the Burren College of Art in Ballyvaugan, Ireland in the summer of
2006, and was the First Assistant Director for the feature film Good
Dick, directed by Marianna Palka, which was shot in the fall of
2006. He is currently the bassist in the band Cola Wars, and has a solo
music project called the Slav Melancholy. |
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